Brad Brevet from Rope of Silicon has landed a killer video and pictures of "Archie," the Nite Owl's ship from the upcoming "Watchmen" movie. Be sure to check out his entire gallery of the ship.
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"Still, the Motion Picture Association Of America doesn't want to take any chances, which is why they told the director of Watchmen, Zack Snyder, that he couldn't have a guy pointing a gun at the audience in the trailer.
Snyder replaced the gun with a walkie-talkie. This way, if anyone from 1903 watches the trailer, instead of ducking and/or running for their life, they'll just drop their bowler hat, curl up into a ball, rock back and forth, and mumble into their shirtwaist, "What world is this? What is happening to me? Where am I?" (source)
"What compelled Zack Snyder, the, um … watchman … behind “Watchmen” to use the track? Was it because there’s that shot in the trailer of a guy (I’m sure he has a name, but seriously, people, the last graphic novel I read involved the name “Jughead”) falling from the sky that vaguely resembles something Batman might do? Is “Watchmen” sort of like watching “Batman & Robin” in slow-motion — much like how listening to “The Beginning Is the End Is the Beginning” is somewhat of a stretched-out version of the original tune? Here’s what Snyder had to say:
“Smashing Pumpkins we picked for a couple reasons. For one, I felt like in mood, it was correct for what we were trying to do. We were trying to sort of get at the unwashed masses who don’t know anything about ‘Watchmen’ and find something provocative that makes you go, ‘What is that?’ … And then, also, I felt like the song itself spoke a little to the ‘Watchmen’ world. And then on the third hand … it will create controversy a little bit in the fanbase because they’re going to be like, ‘Wait, is that going to be in the movie? That ain’t 1985!’ ”
All good reasons, we suppose. But it doesn’t answer the bigger question: Did he have any idea that Corgan wrote the song expressly for that other nocturnal superhero?" (...more)
MTV: When we interviewed you for "300," you said the "Watchmen" moment you were most eager to film was Manhattan's deployment to Vietnam, when he becomes enormous and slaughters the enemy on behalf of the U.S. Now, we can finally see a bit of it!
Snyder: Yeah that's super fun, and it gets better and better. I've got to be honest: The version we're able to show in the trailer is cool, but it's the version that's been approved for all audiences. The R-rated version, when he blows those guys up, it's a little rougher.
MTV: That's how he kills people?
Snyder: In the movie, their guts explode — it's a little rougher.
MTV: And at the end of it all, we get an eye-popping shot of Dr. Manhattan's crib. What was it like to create this oasis on Mars?
Snyder: Well, what happens is that Manhattan exiles himself to Mars, and he builds that glass palace. Because his father was a clock-maker, he uses that big structure as a metaphor for the clock of the universe. In some ways, it's his own place of meditation. He's taken Laurie there at that point in the movie, and they're talking about how they're going to resolve their differences. That's how he does it: When he wants to talk to you, he takes you to Mars and he puts you in a giant glass.
MTV: What else is in the trailer that you're most proud of?
Snyder: You see a little bit of the Keane Act riots — that's the guy throwing the Molotov cocktail through the window. The Keane Act was an act of Congress that outlawed the vigilantes originally. ... That little image of that little bottle being thrown through the window, and also the shot of the Owl Ship floating there with Blake the Comedian standing in the window and all these people cheering, that's [the riots that ensue].